Make it yourself - patterns and thread
On its opening day, 5 November 1909, the first British store in Liverpool offered a range of fashions, along with a counter full of 'notions', which was the American parent company's name for Haberdashery, or Hab'y for short. Part of the chain's brand essence was a self-imposed maximum price of sixpence (2½p). As a result, rather than selling made-up clothes, it specialised in selling everything that people would need to make their own garments at home. Life was very different in Edwardian times. Most homes had gas lighting and were heated by coal fires. There was no television or radio. A popular pastime on long winter evenings was to knit or sew. Many women repaired the family's clothes, and some also made items from scratch, guided by a paper pattern. Whatever the project, making a sweater or mending a rug, Woolworth had the right needle and all the raw material. It also offered the needles, wool and yarn, cotton and thread and even the scissors, all for sixpence or less. Adjusted for inflation the pre-war prices would range between 17p and £2.11 or 27 cents and $3.59 today. The low prices made the stores very popular with thrifty mums working to a tight budget.
Many of the patterns were designed for beginners. At the time most girls were taught needlework at school, in preparation for a life minding the home. Life has changed a lot since then, but most of clothes still look quite fashionable! Everything to make a complete outfit cost less than ten shillings (50p), but it is a sign of how values have changed over the century that at today's prices some of the finished garments would cost as much as £42 ($71.40) to make. At the time it was much cheaper to make garments than to buy them ready-made.When Woolworth first opened in Britain, it was one of the only international chains. It drew on thirty years of experience in the Main Streets of the USA, and incorporated design ideas from its stores in Canada and Buying Offices in France and Germany. The goal of the Buyers was to imitate the latest catwalk fashions from Paris, Milan and New York at sixpenny prices. The Crochet Over Blouse on the right could be made for five shillings at the time (25p), the equivalent of about £10.50 or $17.85 today.
In 1912, when Frank wanted mementoes for the Woolworth Building, the British Needle Co. Ltd. of Redditch was the obvious choice. They designed and made the needle books, which became million sellers. Just two years later, the outbreak of war in Europe interrupted the supply line, quickly emptying the Stateside counters. Unable to overcome the U-boat threat, Woolworth found a novel way of rising to the challenge. Using what he had learnt on visits to the Redditch factory, he instructed a leading US supplier on how to update its manufacturing process to do things 'the British way'. Today Frank is revered in the USA as much for the stimulus he gave to the country's mass manufacturing as for the five-and-ten cent store chain that he founded.
As the new Woolworth's subsidiary expanded across the UK and Ireland and its stores grew larger, the haberdashery department was extended, making room for lots of new lines. By the 1930s it was possible to buy ready-made accessories, including sew-in pockets, and fabric panels in a variety of styles. There were also sequins and costume jewellery for dresses, and lots of fancy buttons and zips. New patterns showed customers how to make soft toys, lampshades and carpets. The picture below shows some of the new items. Click the image if you would like to open a high resolution version in a new window.
To add spice to the offer, the firm looked out for bin-end fashions, particularly after the Woolworth headquarters moved to fashionable New Bond Street, Mayfair in 1931. This placed the Buyer just a stone's throw from the London fashion scene in Regent Street and Saville Row. Treasures like silk stockings and ladies underwear, sold for sixpence as a special offer on the occasional Saturday, caused mayhem in the stores. Customers besieged the fashion counter towards the back of the salesfloor in search of a bargain. It became a standing joke that when well-to-do shoppers were seen by their friends in the throng, they would explain that they were buying for their servants or a child's school play. In fact it reflected Woolworth's great and enduring strength as the everyday store for everyone. The picture below shows the store in Chiswick High Road, West London in 1936. The window is captioned "Lace for Loveliness" and features some of the things people could make with a large consignment of lace that the Buyer acquired after a large factory went out of business. If you would like to see more detail, please click the image to open a larger version in a new window.
The 'everyday store for everyone' brand was reinforced by a series of local initiatives, designed to appeal to customers in different areas of the country. For example the chain had over a hundred branches in old county of Lancashire, which included the major conurbations of Liverpool, Manchester and Preston. The District Manager brokered a deal with the largest mill in the county, Horrockses of Preston, to borrow a small portable loom. He also hired a signwriter to make a large banner declaring:
The display was circulated between the stores across the county, following a carefully crafted timetable which aimed to line up with local wakes week holidays. It proved a highly-effective sales aid, and built priceless goodwill for the brand, which endured long after the original window was forgotten.
Du Barry dressmaking patterns became very popular in the 1930s. Each one included drawings and sewing instructions; some also had a cut-out of the outfit. There were patterns for all sorts of things, including dresses, blouses, hats and even men's suits. Innovative marketing was used to drive sales. A teaser version called Free Fashion Forecast was given away to customers. This showcased the latest designs, with enough detail to help readers choose. The measurements were omitted to make them buy. Click here to view a PDF example.
The chain stocked paper patterns until the mid 1980s. Until 1965 the price of most individual patterns was kept down to sixpence, with a themed booklet even better value at a shilling (5p). Like the Fashion Forecast of earlier years, the patterns were treated as a sales aid for the stores' own wool, needles and buttons.
The firm's talent scouts chose models from drama schools and beauty parades, picking artists who they believed were 'going places'. The patterns show that they knew their stuff. Among those pictured in 'Woolies' Woolies' were the Gurkhas' champion and absolutely fabulous Joanna Lumley, and the shaken but not stirred Persuader and super-sauve James Bond, Roger Moore. In between the patterns each booklet featured advertisements for the extensive range of accessories that were available in the haberdashery department at Woolworth's. By the 1960s the range in the largest superstores had expanded to include material by the yard, and even electric sewing and knitting machines.
You can see more window displays and paper patterns in our tribute to Woolies fashion - The Easter Parade, here in the fashion and Ladybird gallery of the Original Virtual Museum. Why not take a look?
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The Ladybird and Fashion GalleryFashion overview (1909-2009) Make it yourself patterns and thread The Ladybird Legend is born Woolworths' first Ladybird items (from the 1930s Gallery) History of the Ladybird Company Building fashion sales (1950-80) Launch of Ladybird at Woolies Kids and Celebrations In-Store The Easter Parade Museum NavigationHome Page Fashion Gallery Home Page Interactive Buy Ladybird On-Line
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